The Pirates (1792)

Choreographer
Peter D'Egville
Work Type
Mainpiece
Genre
Comedy
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£11,333 17s £0 (0%) £11,333 17s (100%)
1732 - 1809
£11,333 17s - (100%) £0 (0%) £11,333 17s (100%)
Total Performances
Covent Garden
Drury Lane
41 0 41
1732 - 1809
41 0 41
Notes
BD notes that it is uncertain at this period whether choreography at DL was by Peter D'Egville or his son, James.
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
03 Dec 1792 Drury Lane The Pirates, The First Floor No No No £175 18s 43% N/A
08 Dec 1792 Drury Lane The Pirates, The Mayor of Garratt No No No £272 4s 59% N/A
14 Dec 1792 Drury Lane The Pirates, The Doctor and Apothecary No Yes No £488 13s 68% N/A
22 Dec 1792 Drury Lane The Pirates, The Cheats of Scapin No No No £242 7s 51% N/A
29 Dec 1792 Drury Lane The Pirates, The Cheats of Scapin No No No £277 2s 6d 51% N/A
01 Jan 1793 Drury Lane The Pirates, Who's the Dupe No No No £157 17s 6d 36% N/A
03 Jan 1793 Drury Lane The Pirates, Tit for Tat No No No £169 6s 35% N/A
05 Jan 1793 Drury Lane The Pirates, The Divorce No No No £193 17s 38% N/A
12 Jan 1793 Drury Lane The Pirates, Tit for Tat No No No £317 8s 6d 48% N/A
15 Jan 1793 Drury Lane The Pirates, The Divorce No No No £288 11s 6d 47% N/A