Kate of Aberdeen ()

Work Type
N/A
Genre
Song
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£297 1s 6d £80 4s (27%) £216 17s 6d (73%)
1732 - 1809
£297 1s 6d - (100%) £80 4s (27%) £216 17s 6d (73%)
Total Performances
Covent Garden
Drury Lane
6 4 2
1732 - 1809
6 4 2
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
10 May 1775 Covent Garden She Stoops To Conquer, The Two Misers, The Enchantress, Kate of Aberdeen Yes No Yes Unknown N/A N/A
23 May 1775 Covent Garden She Stoops To Conquer, The Country Madcap, Kate of Aberdeen, The Pilgrim Yes No Yes Unknown N/A N/A
07 May 1776 Covent Garden As You Like It, Midas, Rural Merriment, Kate of Aberdeen No No Yes Unknown N/A N/A
09 May 1781 Drury Lane The Wonder, Comus, The Irish Fair, Kate of Aberdeen, Bessy Bell Mary Gray No No Yes £170 17s 6d 43% N/A
01 May 1782 Drury Lane The Clandestine Marriage, The Gentle Shepherd, Thou Hast Stole Awa' from Me Mary, Kate of Aberdeen No No Yes £241 16s 56% N/A
26 May 1783 Covent Garden King Henry The Eighth, Three Weeks after Marriage, The Humours of Newmarket, Tally Ho!, Kate of Aberdeen No No Yes £319 17s 71% N/A

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