Bantry Bay (1797)

Author
George Nugent Reynolds
Composer
William Reeve
Work Type
Afterpiece
Genre
Drama/entertainment
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£2,657 7s 6d £2,657 7s 6d (100%) £0 (0%)
1732 - 1809
£2,657 7s 6d - (100%) £2,657 7s 6d (100%) £0 (0%)
Total Performances
Covent Garden
Drury Lane
11 11 0
1732 - 1809
11 11 0
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
18 Feb 1797 Covent Garden A Cure For The Heart Ache, Bantry Bay, The Ghost No No No £293 5s 6d 61% N/A
20 Feb 1797 Covent Garden The Provok'd Husband, Bantry Bay, The Irish Mimick No Yes No £484 19s 66% N/A
22 Feb 1797 Covent Garden A Cure For The Heart Ache, Bantry Bay, The Deaf Lover No No No £270 12s 56% N/A
23 Feb 1797 Covent Garden A Cure For The Heart Ache, Bantry Bay, Cross Purposes No No No £214 6d 65% N/A
25 Feb 1797 Covent Garden A Cure For The Heart Ache, Bantry Bay, Two Strings to your Bow No No No £209 14s 6d 49% N/A
28 Feb 1797 Covent Garden A Cure For The Heart Ache, Bantry Bay, The Prisoner at Large No No No £214 5s 54% N/A
07 Mar 1797 Covent Garden Wives As They Were And Maids As They Are, Bantry Bay, The Poor Sailor No No No £213 11s 54% N/A
09 Mar 1797 Covent Garden Wives As They Were And Maids As They Are, Bantry Bay, The Midnight Hour No No No £245 12s 6d 61% N/A
13 Mar 1797 Covent Garden Wives As They Were And Maids As They Are, Bantry Bay, The Romp No No No £207 6d 52% N/A
14 Mar 1797 Covent Garden Wives As They Were And Maids As They Are, Bantry Bay, The Poor Sailor No No No £181 15s 51% N/A
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