Harlequin and Oberon; or, The Chase to Gretna (1796)

Author
James Wild
Composer
William Reeve
Author
John Follett, the younger
Work Type
Afterpiece
Genre
Pantomime
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£18,446 8s £18,446 8s (100%) £0 (0%)
1732 - 1809
£18,446 8s - (100%) £18,446 8s (100%) £0 (0%)
Total Performances
Covent Garden
Drury Lane
64 64 0
1732 - 1809
64 64 0
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
19 Dec 1796 Covent Garden Zara, Harlequin and Oberon or The Chace to Gretna No No No £193 5s 6d 44% N/A
20 Dec 1796 Covent Garden The Dramatist, Harlequin and Oberon No No No £174 15s 6d 56% N/A
21 Dec 1796 Covent Garden The Suspicious Husband, Harlequin and Oberon No No No £205 16s 6d 53% N/A
22 Dec 1796 Covent Garden The Mysteries Of The Castle, Harlequin and Oberon No No No £252 19s 60% N/A
23 Dec 1796 Covent Garden Abroad And At Home, Harlequin and Oberon No No No £220 13s 71% N/A
26 Dec 1796 Covent Garden The London Merchant Or George Barnwell, Harlequin and Oberon No No No £255 15s 44% N/A
27 Dec 1796 Covent Garden The Beggar's Opera, Harlequin and Oberon, Hornpipe No No No £249 15s 56% N/A
28 Dec 1796 Covent Garden The Merry Wives Of Windsor, Harlequin and Oberon No No No £216 15s 6d 51% N/A
29 Dec 1796 Covent Garden Fortune's Fool, Harlequin and Oberon No No No £180 6d 52% N/A
30 Dec 1796 Covent Garden The Way To Get Married, Harlequin and Oberon No No No £221 13s 59% N/A
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