Sweet Echo ()

Composer
Thomas Augustine Arne
Work Type
N/A
Genre
Song
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£10,490 1s £7,967 16s 6d (76%) £2,522 4s 6d (24%)
1732 - 1809
£10,490 1s - (100%) £7,967 16s 6d (76%) £2,522 4s 6d (24%)
Total Performances
Covent Garden
Drury Lane
48 34 14
1732 - 1809
48 34 14
Notes
Taken from the Masque of Comus
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
10 Jun 1784 Covent Garden The Merchant Of Venice, Comus, Sweet Echo No No Yes Unknown N/A N/A
01 Apr 1786 Covent Garden The Follies Of A Day, The April Fool or The Follies of a Night, Sweet Echo No No Yes £273 4s 6d 48% N/A
31 Mar 1787 Covent Garden The Careless Husband, Comus, Sweet Echo No No Yes £310 12s 50% N/A
14 Apr 1787 Covent Garden The Distress'd Mother, Comus, Sweet Echo No No Yes £241 8s 38% N/A
05 Feb 1788 Covent Garden Love In A Village, Comus, Leap Year, Sweet Echo, Laughing Song No No Yes £288 9s 49% N/A
10 Mar 1788 Covent Garden The Mourning Bride, Comus, Sweet Echo No No Yes £312 12s 6d 57% N/A
24 Apr 1788 Covent Garden The Farmer, Comus, The Positive Man, Sweet Echo No No No £159 16s 6d 61% N/A
08 Dec 1790 Drury Lane Twelfth Night, Comus, Sweet Echo No No No £122 5s 46% N/A
27 May 1791 Covent Garden Rosina, Lovers' Quarrels, Comus, The Musical Courtship, Nor on Beds of Fading Flowers, O Thou Wert Born to Please Me, Say Bonny Lass, Sweet Echo No No Yes £171 1s 30% N/A
23 Sep 1791 Covent Garden The Widow Of Malabar, The Little Hunchback, Comus, Sweet Echo No No No £156 5s 100% N/A
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