Lock and Key (1796)

Author
Prince Hoare
Composer
William Shield
Composer
William Thomas Parke
Work Type
Afterpiece
Genre
Farce
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£19,442 10s £19,442 10s (100%) £0 (0%)
1732 - 1809
£19,442 10s - (100%) £19,442 10s (100%) £0 (0%)
Total Performances
Covent Garden
Drury Lane
70 70 0
1732 - 1809
70 70 0
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
07 Mar 1796 Covent Garden The Way To Get Married, Lock and Key No No No £220 13s 6d 50% N/A
08 Mar 1796 Covent Garden The Way To Get Married, Lock and Key No No No £188 6s 6d 46% N/A
10 Mar 1796 Covent Garden The Way To Get Married, Lock and Key No No No £206 2s 6d 42% N/A
12 Mar 1796 Covent Garden The Way To Get Married, Lock and Key No No No £268 17s 36% N/A
02 Apr 1796 Covent Garden The Lie Of The Day, Lock and Key, Harlequin's Treasure No No No £273 1s 6d 33% N/A
07 Apr 1796 Covent Garden The Lie Of The Day, Lock and Key, Harlequin's Treasure No No No £162 8s 6d 49% N/A
14 Apr 1796 Covent Garden The Way To Get Married, Lock and Key No No No £189 14s 6d 48% N/A
26 Apr 1796 Covent Garden Zorinski, A Nicknackatory, Lock and Key, Highland Festivity No No Yes £507 9s 6d 45% N/A
28 Apr 1796 Covent Garden The Way To Get Married, Lock and Key No No No £181 3s 44% N/A
05 May 1796 Covent Garden The Way To Get Married, Lock and Key No No No £167 16s 6d 46% N/A
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