Love a la mode (1759)

Author
Charles Macklin
Work Type
Afterpiece
Genre
Comedy
Performance Medium
Spoken Drama
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£36,451 8s 11d £34,558 10s 5d (94.8%) £1,892 18s 6d (5.2%)
1732 - 1809
£36,451 8s 11d - (100%) £34,558 10s 5d (94.8%) £1,892 18s 6d (5.2%)
Total Performances
Covent Garden
Drury Lane
203 175 28
1732 - 1809
203 175 28
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
13 Feb 1783 Covent Garden The Merchant Of Venice, Love a la Mode, Masquerade scene, Damon and Musidora, Minuet No No No £264 15s 6d 49% N/A
30 Apr 1783 Covent Garden The Merchant Of Venice, Love a la Mode, Damon and Musidora, The Belle of the Village No No Yes £208 3s 77% N/A
05 Dec 1783 Covent Garden The Merchant Of Venice, Love a la Mode, The Rival Nymphs No No No £257 12s 6d 64% N/A
16 Dec 1783 Covent Garden The Merchant Of Venice, Love a la Mode, The Rival Nymphs No No No £126 3s 44% N/A
10 Nov 1784 Covent Garden The Merchant Of Venice, Love a la Mode, Leap Year, or A New Way of Wooing, The Charms of the Camp, or The Female Volunteer No No No Unknown N/A N/A
14 Feb 1785 Covent Garden The Merchant Of Venice, Love a la Mode, Pastoral Sports, The Belle of the Village No No No Unknown N/A N/A
18 Feb 1786 Covent Garden The Merchant Of Venice, Love a la Mode, Leap Year, The Piping Pedlar No No No £222 7s 6d 50% N/A
12 Oct 1786 Covent Garden The Merchant Of Venice, Love a la Mode, The Piping Pedlar No No No £250 16s 6d 52% N/A
19 Dec 1786 Covent Garden The Merchant Of Venice, Love a la Mode, The Drunken Sailor Reclaim'd No No No £194 2s 6d 49% N/A
08 Feb 1787 Covent Garden The Merchant Of Venice, Love a la Mode, The Irish Lilt No No No £222 10s 6d 46% N/A
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