Love a la mode (1759)

Author
Charles Macklin
Work Type
Afterpiece
Genre
Comedy
Performance Medium
Spoken Drama
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£36,451 8s 11d £34,558 10s 5d (94.8%) £1,892 18s 6d (5.2%)
1732 - 1809
£36,451 8s 11d - (100%) £34,558 10s 5d (94.8%) £1,892 18s 6d (5.2%)
Total Performances
Covent Garden
Drury Lane
203 175 28
1732 - 1809
203 175 28
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
19 Apr 1777 Covent Garden The Merchant Of Venice, Love a la Mode, Minuet, The Shepherd's Wedding, The Frolick No No Yes £191 16s 61% N/A
16 Oct 1777 Covent Garden The Merchant Of Venice, Love a la Mode, The Humours of Leixlip, The Shepherds Wedding No No No £205 8s 60% N/A
28 Oct 1777 Covent Garden The Merchant Of Venice, Love a la Mode, The Humours of Leixlip, The Shepherds Wedding No No No £149 1s 6d 39% N/A
04 Nov 1777 Covent Garden The Conscious Lovers, Love a la Mode, The Enchantress, I Have Lost My Anna No No No £92 18s 6d 41% N/A
13 Nov 1777 Covent Garden The Grecian Daughter, Love a la Mode, The Garden of Love No No No £173 7s 66% N/A
22 Dec 1777 Covent Garden Percy, Love a la Mode, The Humours of Leixlip No No Yes £198 3s 67% N/A
24 Mar 1778 Covent Garden The Merchant Of Venice, Love a la Mode, All in the Downs; or, Farewell to Deal, La Soiree a-la-Mode No No Yes £212 8s N/A N/A
24 Apr 1778 Covent Garden The Merchant Of Venice, Love a la Mode, The Irish Lilt No No Yes £160 7s 31% N/A
11 Nov 1779 Covent Garden The Merchant Of Venice, Love A la mode, The Husband Deceived, The Shepherds Wedding No No No £188 8s 6d 52% N/A
20 Nov 1779 Covent Garden The Merchant Of Venice, Love A la mode, The Dockyard, The Shepherds Wedding No No No £154 8s 45% N/A
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