The Maid of the Oaks (1774)

Author
John Burgoyne
Composer
Francis-Hippolyte Barthélémon
Work Type
Afterpiece
Genre
Drama/entertainment
Performance Medium
Musical
Associated work receipts The physical apparatus employed on and around the stage to support, enhance and sometimes substitute the performers' enactment of drama.
Covent Garden
Drury Lane
£17,461 7s £6,086 7s 6d (34.9%) £11,374 19s 6d (65.1%)
1732 - 1809
£17,461 7s - (100%) £6,086 7s 6d (34.9%) £11,374 19s 6d (65.1%)
Total Performances
Covent Garden
Drury Lane
93 32 61
1732 - 1809
93 32 61
Theatre
Mainpiece/afterpieces
Years
1732
1809
Most common pairings

Performances

Dates Theatre Performances Requested Commands Benefit Revenue Available Revenue % Capacity %
20 Apr 1796 Covent Garden Every One Has His Fault, Arrived at Portsmouth, The Maid of the Oaks, We've Bade the Restless Seas Adieu, Here We Laugh and Work Together, O Why to be Happy, Rule Brittania, The Seaman Who of Wars May Tell, When Love was a Stranger, With Pride We Steer's for England's Coast, With Rosabel What Joy to Stray No No Yes £377 15s 6d 43% N/A
27 May 1803 Drury Lane High Road to Marriage, Maid of the Oaks No No Yes £436 13s 23% N/A
28 May 1804 Drury Lane Wife of Two Husbands, Maid of the Oaks No No Yes £361 19s 26% N/A
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